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Ryan Murphy Sets Boundaries: No Ted Bundy in Monster Series

Culture / Entertainment / TV series / Netflix
By Newsroom,  published 5 October 2025 at 18h01, updated on 5 October 2025 at 18h01.
Culture

Netflix / PR-ADN

Ryan Murphy has made a clear decision to exclude the notorious serial killer Ted Bundy from his series Monster, signaling where he draws boundaries in exploring true crime. This move reflects his selective approach to controversial real-life figures.

TL;DR

  • Netflix unveils third Monster season on Ed Gein.
  • Ted Bundy stories intentionally excluded from the franchise.
  • The series fuels debate over ethics and sensationalism.

A Chilling Return: Monster’s Latest Focus

For its third installment, the acclaimed Netflix series Monster turns its lens to a notorious figure: Ed Gein. This new season, titled “Monster: The Ed Gein Story,” features actor Charlie Hunnam, recognized for his role in “Sons of Anarchy,” embodying the infamous murderer whose crimes not only shocked America but also inspired iconic horror films such as “Psycho,” “The Texas Chainsaw Massacre,” and “The Silence of the Lambs.” The creative duo, Ryan Murphy and Ian Brennan, remain committed to re-examining America’s most disturbing criminal cases with their signature blend of narrative intensity and psychological inquiry.

No Ted Bundy: A Deliberate Omission

While each season of the franchise inevitably sparks speculation about which criminal mastermind will next be spotlighted, one name is consistently left out: Ted Bundy. According to creator Ryan Murphy, this exclusion is intentional. In his view, Bundy’s story—already dissected in films like “Extremely Wicked, Shockingly Evil and Vile” (with Zac Efron) and Netflix’s own documentary series—does little to provoke new societal questions. Instead, it risks reinforcing mere sensationalism, a pitfall Murphy appears determined to avoid.

Sensationalism or Societal Reflection?

However, the franchise’s approach hasn’t escaped controversy. Critics question where to draw the line between necessary examination of dark historical chapters and the risk of crossing into voyeuristic territory. Several factors explain this concern:

  • Sensitivities of victims’ families often overlooked or minimized.
  • The danger of glamorizing real-life horrors at the expense of sober analysis.
  • A tendency towards spectacle rather than encouraging true societal reflection on crime.

It is perhaps telling that Murphy has publicly expressed hesitation about dramatizing more recent or unresolved cases, such as that involving Luigi Mangione—a decision that underscores how fraught these creative choices can be.

The Boundaries Ahead for Monster

As all episodes focusing on Ed Gein are now available for streaming and with an adaptation about Lizzie Borden already in production, some discomfort lingers. By relentlessly exploring America’s most macabre true-crime stories, does Netflix risk feeding an ever-hungrier public appetite for the grisly? The question remains unsettled—a reflection of both society’s fascination with evil and our ongoing struggle to process it responsibly.

Le Récap
  • TL;DR
  • A Chilling Return: Monster’s Latest Focus
  • No Ted Bundy: A Deliberate Omission
  • Sensationalism or Societal Reflection?
  • The Boundaries Ahead for Monster
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